Post image for Wintry work

Wintry work

This drawing was meant for Chapter 5, ‘Living for Weekends’, of The Woman on the Mountain.

We’d moved there into the still very basic cabin, and I’d taken the writing work from my old design firm…

In a way it’s as if I remained part of the company even after I’d left and moved back here for good. They used to call me ‘our woman on the mountain’, as one says ‘our man in New York’, although the connotations of gumleaves and gumboots were probably less impressive.

They had to tolerate a long and turbulent teething period in those pre-email communication days. We were using a program called Carbon Copy (I think) where my computer linked to theirs via a primitive modem. I’d try to get the modem to work on my dreadful phone line, waiting for that magic sound, the electronic gargle of a successful connection. Someone had to sit at a computer at their end to receive it, and stay there to respond, even if it was unbelievably slow. I’d be sitting here trying to get it through, never sure if the person down there had given up, or wandered off to make a coffee or take a phone call. To find out, I’d have to disconnect and ring them, as I only had one line. Then we’d have to start all over again. Hair-tearingly not ideal.

I think that was when I first discovered the release to be derived from screaming Charlie Brown one-liners — ‘A-a-a-a-rgh!’ — from the verandah.

… But at least I was living and working here, even if conditions weren’t ideal. … I’d be shivering at my desk at the other end of the cabin from the combustion stove. Working on the computer, I’d be wearing fingerless gloves, beanie, thick socks and boots, tights, leggings, long woollen skirt, singlet, skivvy, woollen jumper, vest, cardigan and shawl, with a rug over my knees. Dead elegant — and cold. I cursed again the uninsulated roof.’

I have copies of The Woman on the Mountain which you can buy at a special price here.

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