The significance of ultra-abstract art often eludes me; I might appreciate it as design and colour, but it doesn’t speak to me. I don’t warm to it, relate to it, as I can to the merely abstracted, stylised, simplified, where the origin is vaguely discernible. In the latter the artist’s treatment of it stimulates my imagination more than straight realism would.
As pure visual beauty, for shape and colour and flow, I’d hang this one on my wall any day — if I had any space left around the bookshelves and existing paintings and photographs. The uncluttered look is not for me; I want everything I love where I can see it.
The cabin might be full, but I live in the midst of a forest that can dazzle me with temporary exhibitions of works of art like this one. The paint was fresh and bright after a spell of rain; a week later the colours will dull and fade, or flake off.
The artists are always ‘Anon’ but they belong to a most innovative and talented group called ‘Nature’.